(It's dramaturgy, not thaumaturgy.)
thaumaturg
Main Entry: thau·ma·turg
Pronunciation: \ˈthȯ-mə-ˌtərj\
Function: noun
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work
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The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.
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Little Red, meet Wolf.
injustice-worth:
That image… Hnn.
O_o, more or less.
(Source: injustice-worth)
“I did think you are a beauty queen, and I do think” look at this awesome turn out! CENTERSTAGE inaugural pub reading; we’re doing it again next Sunday with The Lonesome West, so come one come all.
yfrog.com/odpo7idj
FREE pub readings - Martin Mcdonagh plays
With A Skull in Connemara finishing up tech, we’ve invited local actors from Single Carrot and Everyman (and others) to join us at Liam’s 8pm this Sunday and next, Jan 22 & 29, to read the other two plays from the Leenane trilogy. And yes, it’s free - but your bar tab is your business. So show up at 22 E North Ave in Baltimore for some booze and brogues. Follow the link for more or go to www.centerstage.org/skull
This Sunday! McDonagh in an Irish pub - fecking brilliant combination.
I read the other day some verses written by an eminent painter which were original and not conventional. The soul always hears an admonition in such lines, let the subject be what it may. The sentiment they instil is of more value than any thought they may contain. To believe your own thought, to believe that what is true for you in your private heart is true for all men, —that is genius. Speak your latent conviction, and it shall be the universal sense; for the inmost in due time becomes the outmost,— and our first thought is rendered back to us by the trumpets of the Last Judgment. Familiar as the voice of the mind is to each, the highest merit we ascribe to Moses, Plato, and Milton is, that they set at naught books and traditions, and spoke not what men but what they thought. A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow a stranger will say with masterly good sense precisely what we thought and felt all the time, and we shall be forced to take with shame our own opinion from another.
~ from Ralph Waldo Emerson, “Self-Reliance”
Essays: First Series/Self-Reliance - Wikisource
Suspicion of Stories
As theater-makers, we are constantly thinking about, battling, embracing, in some way engaging with the recognizable narratives that Mr. Cowen mentions. They are our sworn enemies and our daily bread. Damn them. God love them. What do you think of them?
The Future of Theater?
Harvard Mag and Robert Brustein wonder if “the play’s still the thing” in a digital age.
The new play stand-off
Read Olmos’ entire post—prompted by cancellation of his own play—at the link. It’s a widespread conundrum for sure…
“And so there is this disconnect between the people and those that provide for the people; each of them waiting on the other to make some sort of move that will allow them both to get what they want. Specifically in the arts, we have people who enjoy culture waiting on artistic institutions to be bold in their ventures and present something ambitious and never-seen-before. Meanwhile, the artistic institutions are waiting for their audiences to show them that they have a true open’ness and willingness to something off the beaten path. As if some checker game, where it is locked and each player is waiting for the other to make a sacrifice in order to keep the game going.
Audiences will never be able to show theaters how far their tastes run if never given the chance, and theaters will never be able to take a chance if audiences are scared to leave their comfort zone. Producing new work requires work on both ends.”
CENTERSTAGE patrons talk about their relationship with the theater and recall memories of favorite shows.
CENTERSTAGE - MY CENTERSTAGE (by drury bynum)