Sigh. First it was Disney’s balloon (“not in the book” as they declaim in Eason’s deliciously self-aware and faithful adaptation); then it was the CGI-driven departure from Verne’s original chronicled in this interesting, fairly technical blog post. Variations on this liberty-seizing pattern (most of them wanting to get the story airborne) are by now a well-entrenched part of the tradition of this poor book, which nevertheless endures. When the program material for our production goes online, read Drew’s ruminations on the subject in his extended profile of the many sides of Verne himself; from the very first, his writing, and 80 Days in particular, have proven prone to each new generation inscribing its own “take.” -ghw
The Thaumaturgy Department
thaumaturg
Main Entry: thau·ma·turg
Pronunciation: \ˈthȯ-mə-ˌtərj\
Function: noun
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work
Main Entry: thau·ma·turg
Pronunciation: \ˈthȯ-mə-ˌtərj\
Function: noun
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work

The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.
Behind the Scenes (and inside the bytes) for "Around the World in 80 Days"