(It's dramaturgy, not thaumaturgy.)
Main Entry: thau·ma·turg
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work
The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.
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OF course I shall not pretend to consider it any matter for wonder, that the extraordinary case of M. Valdemar has excited discussion. It would have been a miracle had it not-especially under the circumstances. Through the desire of all parties concerned, to keep the affair from the public, at least for the present, or until we had farther opportunities for investigation — through our endeavors to effect this — a garbled or exaggerated account made its way into society, and became the source of many unpleasant misrepresentations, and, very naturally, of a great deal of disbelief. It is now rendered necessary that I give the facts — as far as I comprehend them myself. They are, succinctly, these: My attention, for the last three years, had been repeatedly drawn to the subject of Mesmerism; and, about nine months ago it occurred to me, quite suddenly, that in the series of experiments made hitherto, there had been a very remarkable and most unaccountable omission: — no person had as yet been mesmerized in articulo mortis.
The Facts in the Case of M. Valdemar by Edgar Allan Poe
Mesmerism, mystery, the macabre… read all about it in Poe’s account; or, consider a slightly different take on this (with a very different Valdemar) in Stephen Thorne’s theatrical excursion into all things Poe-esque.