Main Entry: thau·ma·turg
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work
The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.
By GEOFFREY WHEATCROFT
In response to our current production of The Whipping Man, we got this lovely, unsolicited email from a patron. Couldn’t ask for more:
The play, the actors, the direction, the set, lighting were ever so much better than the review led me to expect. …the subplots and subsidiary detail enhanced our experience of the intricacies of relationships under the slave system.
The follow-up discussion engaged all of us in opening up the characters and plot lines as we talked about religion, politics, and race. I was so impressed that [the actor] stayed to hear and interact with the audience - and describe some of the directorial process. …I have to disagree on one point: We do talk about race in America - not frequently, not enough, but at Center Stage on a spring Sunday following a shared experience of artistic genius.
After the general discussion, three of us , a middle-aged black woman, an older white woman, and a Jewish man, continued to talk about our experience of race, shared history and the handing down of tradition. Where else in this wonderfully diverse city do such conversations occur? Thanks to all at Center Stage for a most memorable evening!
Post-Show Discussion, The Head Theater.
Dr. Raymond A. Winbush, celebrated author and historian, will host a discussion focusing on the legacy of slavery in American: What are the historic and modern implications of slavery in our country? How does it continue to influence race relations and public policy?
Throughout the production of The Whipping Man, CENTERSTAGE will be providing numerous opportunities for audiences to engage in discussion inspired by the themes of the show. Conversations will focus on the notion of inheritance— inherited faiths, political systems, racial struggles, and all of the inherited gifts and issues associated with our multifaceted identities. Prominent leaders of Baltimore’s African American and Jewish communities will participate, to encourage exploration of these two communities’ relationships over time. Theater scholars and artists will also contribute, offering historical and cultural expertise as well as behind-the-scenes insights to enhance audiences’ experiences of The Whipping Man and its rich subject matter. Click here for events, dates, times, locations, and guests.
This project was made possible by a grant from the Maryland Humanities Council, through support from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this programming do not necessarily represent those of the National Endowment for the Humanities or the Maryland Humanities Council.