The Thaumaturgy Department

(It's dramaturgy, not thaumaturgy.)

Gavin
CENTERSTAGE
Baltimore
Maryland
USA

thaumaturg
Main Entry: thau·ma·turg
Pronunciation: \ˈthȯ-mə-ˌtərj\
Function: noun
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work

2011-2012 Season:
The Second City: Charmed and Dangerous
The Rivals
American Buffalo
Jazz
A Skull in Connemara
Into the Woods
The Whipping Man
Play Labs
Cabarets

The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.

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After the general discussion, three of us—a middle-aged black woman, an older white woman, and a Jewish man—continued to talk about our experience of race, shared history, and the handing down of tradition. Where else in this wonderfully diverse city do such conversations occur? Thanks to all at Center Stage for a most memorable evening….

In response to our current production of The Whipping Man, we got this lovely, unsolicited email from a patron. Couldn’t ask for more:

Dear Everyone!

The play, the actors, the direction, the set, lighting were ever so much better than the review led me to expect. …the subplots and subsidiary detail enhanced our experience of the intricacies of relationships under the slave system.

The follow-up discussion engaged all of us in opening up the characters and plot lines as we talked about religion, politics, and race.  I was so impressed that [the actor] stayed to hear and interact with the audience - and describe some of the directorial process. …I have to disagree on one point: We do talk about race in America - not frequently, not enough, but at Center Stage on a spring Sunday following a shared experience of artistic genius.

After the general discussion, three of us , a middle-aged black woman, an older white woman, and a Jewish man, continued to talk about our experience of race, shared history and the handing down of tradition. Where else in this wonderfully diverse city do such conversations occur? Thanks to all at Center Stage for a most memorable evening!



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Slavery’s Legacy in America: a post-performance discussion

Sunday, April 15, following the 7:30 pm performance of The Whipping Man at CENTERSTAGE:

Post-Show Discussion, The Head Theater.

Dr. Raymond A. Winbush, celebrated author and historian, will host a discussion focusing on the legacy of slavery in American: What are the historic and modern implications of slavery in our country? How does it continue to influence race relations and public policy?



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Acts of Inheritance

Throughout the production of The Whipping Man, CENTERSTAGE will be providing numerous opportunities for audiences to engage in discussion inspired by the themes of the show. Conversations will focus on the notion of inheritance— inherited faiths, political systems, racial struggles, and all of the inherited gifts and issues associated with our multifaceted identities. Prominent leaders of Baltimore’s African American and Jewish communities will participate, to encourage exploration of these two communities’ relationships over time. Theater scholars and artists will also contribute, offering historical and cultural expertise as well as behind-the-scenes insights to enhance audiences’ experiences of The Whipping Man and its rich subject matter. Click here for events, dates, times, locations, and guests.

This project was made possible by a grant from the Maryland Humanities Council, through support from the National Endowment for the Humanities. Any views, findings, conclusions, or recommendations expressed in this programming do not necessarily represent those of the National Endowment for the Humanities or the Maryland Humanities Council.



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Mention black soldiers in the Civil War today, and most people will immediately think of the 1989 film “Glory,” in which relatively enlightened Union officers train and then lead an all-black infantry regiment into battle. Part of the film’s power comes from the way that it gives the impression that employing black Americans as soldiers was a radically new idea.But that wasn’t the case at all: the role of black men fighting for the United States had been a source of intense controversy since the Revolution. Indeed, to understand the politics behind the 1863 decision to finally enlist them, as well as Lincoln’s refusal even to consider it up to that point, requires an understanding of the long, fraught history of black soldiers in early America. Beyond ‘Glory’ - NYTimes.com


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“Work Life in the Camps and Swamps of Florida”
Hurston’s history with life in Southern Florida was not confined to her childhood in Eatonville or her various literary efforts. When she attended Columbia University in the 1920s, Hurston was tutored by anthropologist Franz Boaz. Her knowledge of anthropology was incorporated in the 1930s when she worked for the Federal Writers Project during the Great Depression collecting African-American folklore. Her patroness, Charlotte Osgood Mason, funded an anthropological journey to southern Florida, Haiti, Jamaica, and the Bahamas. In those places, Hurston collected a wealth of folklore through songs, dance, customs, traditions, and cultural norms during her anthropological research trips. (via Zora Neale Hurston & Polk County » Work Life in the Camps and Swamps of Florida)

“Work Life in the Camps and Swamps of Florida”

Hurston’s history with life in Southern Florida was not confined to her childhood in Eatonville or her various literary efforts. When she attended Columbia University in the 1920s, Hurston was tutored by anthropologist Franz Boaz. Her knowledge of anthropology was incorporated in the 1930s when she worked for the Federal Writers Project during the Great Depression collecting African-American folklore. Her patroness, Charlotte Osgood Mason, funded an anthropological journey to southern Florida, Haiti, Jamaica, and the Bahamas. In those places, Hurston collected a wealth of folklore through songs, dance, customs, traditions, and cultural norms during her anthropological research trips. (via Zora Neale Hurston & Polk County » Work Life in the Camps and Swamps of Florida)



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