(It's dramaturgy, not thaumaturgy.)
Main Entry: thau·ma·turg
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work
The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.
Freedmen and Southern Society Project
The Freedmen and Southern Society Project was established in 1976 to capture the essence of that revolution by depicting the drama of emancipation in the words of the participants: liberated slaves and defeated slaveholders, soldiers and civilians, common folk and the elite, Northerners and Southerners.
To Appomattox and Beyond: The End of the War and a Search for Meanings
Professor Blight of Yale University uses Herman Melville’s poem “On the Slain Collegians” to introduce the horrifying slaughter of 1864. The architect of the strategy that would eventually lead to Union victory, but at a staggering human cost, was Ulysses S. Grant, brought East to assume control of all Union armies in 1864. Professor Blight narrates the campaigns of 1864, including the Battles of the Wilderness, Spotsylvania, and Cold Harbor, and the siege of Petersburg. While Robert E. Lee battled Grant to a stalemate in Virginia, however, William Tecumseh Sherman’s Union forces took Atlanta before beginning their March to the Sea, destroying Confederate morale and fighting power from the inside. Professor Blight closes his lecture with a description of the first Memorial Day, celebrated by African Americans in Charleston, SC 1865.
Why Does the Civil War Era Have a Hold on American Historical Imagination?
Yale History Professor David Blight offers some thoughts on the nature of history and the study of history, before moving into a discussion of the reasons for Americans’ enduring fascination with the Civil War. The reasons include: the human passion for epics, Americans’ fondness for redemption narratives, the Civil War as a moment of “racial reckoning,” the fascination with loss and lost causes, interest in military history, and the search for the origins of the modern United States.
Race and Reunion: the Civil War in American Memory
Having dealt with the role of violence and the Supreme Court in bringing about the end of Reconstruction in his last lecture, Professor Blight now turns to the role of national electoral politics, focusing in particular on the off-year Congressional election of 1874 and the Presidential election of 1876. 1874 saw the return of the Democrats to majority status in the Senate and the House of Representatives, as voters sick of corruption and hurt by the Panic of 1873 fled the Republicans in droves. According to many historians, the contested election of 1876, and the “Compromise of 1877,” which followed it, marked the official end of Reconstruction. After an election tainted by fraud and violence, Republicans and Democrats brokered a deal by which Republican Rutherford B. Hayes took the White House in exchange for restoration of “home rule” for the South.
Legacies of the Civil War
Professor Blight finishes his lecture series with a discussion of the legacies of the Civil War. Since the nineteenth century, Blight suggests, there have been three predominant strains of Civil War memory, which Blight defines as reconciliationist, white supremacist, and emancipationist. The war has retained a political currency throughout the years, and the ability to control the memory of the Civil War has been, and continues to be, hotly contested.