The Thaumaturgy Department

(It's dramaturgy, not thaumaturgy.)

Gavin
CENTERSTAGE
Baltimore
Maryland
USA

thaumaturg
Main Entry: thau·ma·turg
Pronunciation: \ˈthȯ-mə-ˌtərj\
Function: noun
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work

2014-2015 Season:
Amadeus
Next to Normal
It's A Wonderful Life
One Night in Miami
Herzog Rep
After the Revolution
4000 Miles
Marley
Play Labs

The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.

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Midway thru workshop of new piece, KJ Sanchez makes sense of structure. Or prepares for Origami Fest. #newplay

Midway thru workshop of new piece, KJ Sanchez makes sense of structure. Or prepares for Origami Fest. #newplay



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dontrellwhokissedthesea:

In Baltimore again last week, where Center Stage just hosted a workshop of the latest draft of DONTRELL. Now back home and seeing the play through fresh eyes. 

thanks for letting us look through the eyes and listen through the ears of your specific and generous imagination. can’t wait for the next draft.

dontrellwhokissedthesea:

In Baltimore again last week, where Center Stage just hosted a workshop of the latest draft of DONTRELL. Now back home and seeing the play through fresh eyes. 

thanks for letting us look through the eyes and listen through the ears of your specific and generous imagination. can’t wait for the next draft.

(Source: lostinurbanism)



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allboutlisa:

ATTENTION ALL BALTIMORE ACTORS:I am directing “The Rainbow Plays” by Rich Espey. Auditions will be May 15th and 16th from 7-9pm. (Show up any time in that two hour window, but please try to be in the building by 8:30pm.) Callbacks will be held May 19th from 5-7pm. I am seeking all actors from 18-50 years of age. Up to 16 parts are available to be cast. Location: Fells Point Corner Theatre-  251 S Ann St Baltimore, MD 21231Auditions will be cold readings from the script. Actors are encouraged to bring headshot/resume, but not required. Hope to see you all there!(“The Rainbow Plays” are a new piece of LGBT theatre written by Rich Espey. Each short play represents a different color of the LGBT flag and the play follows the struggles of the queer community.)  

allboutlisa:

ATTENTION ALL BALTIMORE ACTORS:

I am directing “The Rainbow Plays” by Rich Espey. 

Auditions will be May 15th and 16th from 7-9pm. (Show up any time in that two hour window, but please try to be in the building by 8:30pm.) Callbacks will be held May 19th from 5-7pm. 

I am seeking all actors from 18-50 years of age. Up to 16 parts are available to be cast. 

Location: Fells Point Corner Theatre-  251 S Ann St Baltimore, MD 21231

Auditions will be cold readings from the script. Actors are encouraged to bring headshot/resume, but not required. 

Hope to see you all there!

(“The Rainbow Plays” are a new piece of LGBT theatre written by Rich Espey. Each short play represents a different color of the LGBT flag and the play follows the struggles of the queer community.)  

(Source: remuant-reveur, via baltiamore)



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Discussion in America means dissent. James Thurber, American humorist and essayist


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Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

"Let American Be America Again" by Langston Hughes

- prepping lobby quotes for the RAISIN CYCLE, rep productions of Clybourne Park and the world premiere of Beneatha’s Place.



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Pies or Plays?

For close to a baker’s dozen years now, fresh pie has been an integral part of the Humana Festival experience for a select group of attendees, most of them dramaturgs and literary managers from around the country. Midway through the new play marathon that the Festival offers, these intrepid scouts and critics and theatrical gastronomes pause to refresh themselves with an array of pies from Louisville’s inimitable Homeade Ice Cream and Pie Kitchen. Originally a small, guerilla venture off-campus in search of baked goods, the event has over the years become a formal part of the schedule, complete with not only two tables overflowing with filled treats but also what can only be termed Pie-a-turgy. This year’s lobby display offered the following expert exigesis from the wits and wags in the Literary Office of Actors Theater:

I interview Bakers
Q: What are you working on now?

A: An adaptation, or perhaps, a willful misinterpretation of the classic Apple Pie. One that addresses the labor injustices hidden by the high gloss and low cost of your lunch-box Fuji.

Q: Tell me a story from your childhood that explains who you are as a baker.

A: I grew up in a small town and didn’t have TV. To top it off, my parents weren’t into fast food of any kind, so if I wanted a sweet treat, I had to make it myself. A lot of those first attempts were soupy and kind of a mish-mash of ingredients, but I loved it. and my family always pretended to enjoy my half-cooked creations.

Q: If you could change one thing about baking…?

A: More people should eat things that aren’t pre-baked or shrink-wrapped (both of which are fine by the way, but come on. Enough.)

Q: What advice do you have for bakers just starting out?

A: Share your pies. Get a group of friends together, wherever, in the kitchen, a basement, wherever. Bake pies. Share pies. 
===================================

A recent surge in pastry-education has cultivated new interest in pie-baking, but few institutions can support this trend. “In terms of encouraging new bakers, serving new pies, and sending our pies out to other bakeries, we won’t be able to do what we hoped.” —Pastry Master at the Guthrie.

====================================

One of our most respected bakers was quoted in the new York Times saying, “New pie development is dead. It just became too expensive to bake new pies. Today, instead of 50 regional bakeries developing 50 new pies, what you have is one new pie by an established baker that gets served 50 times at 50 regional bakeries.”

====================================

Most patrons are only interested in traditional or holiday pies. They want the pie they grew up on. They think they won’t like new pies, or that they’d rather eat a donut or some other desert-on demand. And maybe the only way to preserve the art of pie-making is to evolve. Is to reach out to this new generation that grew up with gluten intolerance and iPhones.

-Spokesperson for the LMDA (Lard Mixers and Dough-rollers of the Americas

==================================== 

The Shape of Pies to Come:

A baker, as any other food artist, should accept the bald fact that content determines form and form determines content. A crust is not something that gets in the way of the culinary experience but is an integral part of the pie.

Bakers are often encouraged to stick to a traditional, two crust, closed-top pie structure with the filling inside. Those sorts of pies are fine, but we should understand that the pie crust is not merely a docile, decoratively latticed pastry, but an active ingredient in the sort of taste experience which ultimately inhabits it.

Why a closed top pie crust? Why a crust at all? If a baker chooses to invoke the taste of time immemorial enclosed in a pair of parentheses, then the pie naturally assumes a new shape. Emerging bakers must find the pastry form that fits the equation of their filling.



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nigerianostalgia:

Nigerian market scene
1970s
Vintage Nigerian photos

BENEATHA’S PLACE, kwame kwei-armah’s rumination on the aftermath of hansberry’s RAISIN IN THE SUN, takes place entirely in Lagos, Nigeria…
#CSRaisin #newplay



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Marisa Wegrzyn’s MUD BLUE SKY explores unlikely friendships. As prodturg Kellie Mecleary shows in her program piece. But here is a remarkable short video that shows a score* of unlikely friendships forging, in real life, right before our eyes. So unlikely, yet so ordinary. Hard to imagine, and right at hand.*not using “score” with any pretense of numerical or linguistic accuracy…#CSMud #newplay @howdymarisa
shotgunsinner:


-dearfriend:


100me97:


xclitinthepitx:


rotfuenf:


A random ball pit is set up in the middle of a cityAnd this is what happens as people approach it.


this made me so happy.


I couldn’t stop smiling 


This made me smile so much.


This is amazing.

Marisa Wegrzyn’s MUD BLUE SKY explores unlikely friendships. As prodturg Kellie Mecleary shows in her program piece. But here is a remarkable short video that shows a score* of unlikely friendships forging, in real life, right before our eyes. So unlikely, yet so ordinary. Hard to imagine, and right at hand.
*not using “score” with any pretense of numerical or linguistic accuracy…
#CSMud #newplay @howdymarisa

shotgunsinner:

-dearfriend:

100me97:

xclitinthepitx:

rotfuenf:

A random ball pit is set up in the middle of a city
And this is what happens as people approach it.

this made me so happy.

I couldn’t stop smiling 

This made me smile so much.

This is amazing.

(Source: lovingyourtype, via dontreadmyblogplz)



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feminishblog:

Would you be surprised if I told you that, according to the Bechdel Test website, only 5 of IMDB’s Top 250 passed all three Bechdel criteria in 2010? Are we really asking too much of the film industry to include two women, who talk to eachother, about something besides a man? Surely this is the bare minimum of female representation we should expect from films. Women populate more than half of the world and yet we are still so often consigned to being the ‘love interest’ whose lives centre wholly around the male protagonist even to the point where the majority of mainstream films in our cinemas seem to find it impossible, in their entire run-time, to imagine a world in which a woman conducts a conversation that is not about a man.

It’s important to note that just because a film passes the test (or does not), that does not necessarily make it feminist (or not feminist). However, it is a useful gage and is a wheel-turner for other critical questions and thinking.

For a great example of this working in practice, check out Marisa Wegrzyn’s spanking-new play, MUD BLUE SKY, at centerstage!
#CSMud #newplay

(via egoetschius)



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