The Thaumaturgy Department

(It's dramaturgy, not thaumaturgy.)

Gavin
CENTERSTAGE
Baltimore
Maryland
USA

thaumaturg
Main Entry: thau·ma·turg
Pronunciation: \ˈthȯ-mə-ˌtərj\
Function: noun
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work

2013-2014 Season:
Animal Crackers
Dance of the Holy Ghosts
A Civil War Christmas
Stones in His Pockets
Twelfth Night
Vanya Sonya Masha and Spike
Wild with Happy
Play Labs

The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.

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The fractured fairy tales that comprise Stephen Sondheim’s Into the Woods are initially a frothy frolic, becoming dark in the second act. As children, we were satisfied when the wolf was vanquished, the princess was united with her prince, and the tenacious boy outwitted—or outran—the giant. But happily ever after, Sondheim reminds us, is not part of the human condition. Martha Thomas previews Into the Woods in the latest Urbanite at Old Tales Made New | Theater | Urbanite Baltimore Magazine


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A Preview of GLEAM

Gleam

By Bonnie Lee Moss Rattner

Based on Their Eyes Were Watching God by Zora Neale Hurston

Directed by Marion McClinton

Jan 4–Feb 5, 2012

At 16, Janie Mae Crawford faces a marriage of convenience and a life of quiet drudgery. Instead, she embarks on a journey that brings successes and losses enough for several lifetimes—a passage to fulfillment so singular that it manages to speak for all of our dreams. This soaring saga brings to life the vivid characters of Zora Neale Hurston’s beloved novel, a shining jewel of the Harlem Renaissance by one of America’s literary giants.

Epic in its scope, Gleam—like the novel that inspired it—spans three decades of American history and encompasses life-changing, epoch-shaping events. Our heroine transits the Depression-era South, survives a cataclysmic flood,  helps to found a historic town, loves and loses, rises and falls. At the same time, drawing from the life and loves and longings of Hurston herself, the story delves deeply into the most personal and intimate of journeys,  Janie’s inward growth.

While that journey may seem geographically circular, in that Janie arrives back at the town where she started, it no more repeats than any life lived richly and fully ever can. A girl left town—eager, ambitious, curious, vital, but a girl nevertheless—and it is a woman who returns, full of everything pleasant, powerful, and painful that the eventful passage of years can provide. Nor is Gleam the story of one woman only; while we follow Janie’s saga, we hear it through the voice of her life-long friend Pheoby. Along the way we come to know the men she loves, the communities that shape her, and the world she encounters. By the end, we see a rich picture of an inner landscape and the broad panoply of far horizons.

Their Eyes Were Watching God—published in 1937 but largely ignored for decades after—remains a crowning achievement: not just of the impressively varied career of Zora Neale Hurston, nor simply of African American artistry, but also of 20th-century American literature in general.  Briefly controversial when originally issued, the novel was then overlooked for nearly 40 years, until a belated rediscovery and revival began in the 1970s that has continued, unabated, to this day. Equally, Hurston, an indomitable pioneer in so many ways, slipped into obscurity after her death—even her grave abandoned and unmarked until Alice Walker made it the object of a celebrate quest in 1973.   

Fittingly, perhaps, when Gleam opens at CENTERSTAGE on January 4th, it will also mark a significant milestone in the life of this play. Nearly 30 years after its first performance, the work will enjoy only its third full production. Playwright Rattner first discovered Hurston while a student at Michigan’s Wayne State University, where she decided to adapt the novel for the stage as her Master’s thesis. A complicated and sometimes torturous saga followed, which culminated in the show premiering first at the University’s Hilberry Rep, then at the landmark Crossroads Theater—garnering critical raves in the process. Along the way, it received a prestigious award from the Kennedy Center’s Fund for New American Plays. Many readings and workshops followed, attracting a constellation of world-class talent; but only now, three decades later, is the ambitious adaptation at last returning to the stage.

“There is no book more important to me than this one.”Alice Walker

Their Eyes Were Watching God belongs in the same category with [the works of] William Faulkner, F. Scott Fitzgerald, and Ernest Hemingway, that of enduring American literature.”Saturday Review



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No, it’s not the scenic artists catching up on laundry during Tech. And it’s not the props artisans airing out some musty-dusties. This is Scenic Designer Christopher Barreca and his team dressing the set before the first preview of The Wiz—a mere few hours ago now. Here, they are getting the look juuuuuuust right for the show’s opening: laundry drying on the line outside the Kansas home of Aunt Em and Uncle Henry, and their niece Dorothy. (From the look of that house, you might think it’d be a bit cramped for three; maybe Dorothy shouldn’t be in any hurry to get back home.)


Tags | wiz | tech | preview | design | props

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Down to the wire

It’s currently Monday night, March 1st. Tomorrow brings final dress rehearsal for “Working It Out,” and Wednesday is the first public preview. Outlines of the show are strong and clear, but among pending questions is whether or not to divide the evening with an intermission. It’s sort of on the cusp right now. So, if you’re following us and in the area, why not plan on coming by Tuesday at 7.30 as part of our invited dress (yes, if you follow our Thaumaturgy tumblr, consider this your official invitation to be part of the process itself by coming to the final dress), or pick up tickets for the first preview. The director plans to ask the audience to weigh in on the intermission question, so this is your chance to make a difference.



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