(It's dramaturgy, not thaumaturgy.)
Main Entry: thau·ma·turg
Etymology: French, from New Latin thaumaturgus, from Greek thaumatourgos working miracles, from thaumat-, thauma miracle + ergon work — more at Theater, Work
The official blog of the Dramaturgy Department at Baltimore's CENTERSTAGE. For posts related to our current and upcoming shows, click the links to the right. Alternatively, you could begin at the beginning, and explore our posts in chronological order.
Straight White Male: The Lowest Difficulty Setting There Is
I’ve been thinking of a way to explain to straight white men how life works for them, without invoking the dreaded word “privilege,” to which they react like vampires being fed a garlic tart at high noon. It’s not that the word “privilege” is incorrect, it’s that it’s not their word. When confronted with “privilege,” they fiddle with the word itself, and haul out the dictionaries and find every possible way to talk about the word but not any of the things the word signifies. So, the challenge: how to get across the ideas bound up in the word “privilege,” in a way that your average straight white man will get, without freaking out about it? Being a white guy who likes women, here’s how I would do it: Dudes. Imagine life here in the US - or indeed, pretty much anywhere in the Western world - is a massive role playing game, like World of Warcraft except appallingly mundane, where most quests involve the acquisition of money, cell phones and donuts, although not always at the same time. Let’s call it The Real World. You have installed The Real World on your computer and are about to start playing, but first you go to the settings tab to bind your keys, fiddle with your defaults, and choose the difficulty setting for the game. Got it? Okay:
In the role playing game known as The Real World, “Straight White Male” is the lowest difficulty setting there is.
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The future of whiteness
Michael Lind takes stock, 14 years after his original piece on “The Beige and the Black,” of the complex demographics and even more complex framing that continues to stir up the conversation in the US.
The Beige And The Black
1998 piece by Michael Lind on the changing racial demography of America, and how we envision it.